The Root Cellar

I've created this blog for the purpose of sharing my collection of vintage American "Roots" music with others.

I will be posting many forms of American Roots music including blues, country blues, ragtime, mountain music, and bluegrass.

The music posted on this blog will mainly be taken from the 1920's and 1930's although occasionally I may post something from the early 1940's as well. However all of the music that I post will be acoustic based.
Tue May 27
[Flash 9 is required to listen to audio.]

“Statesboro Blues” - Blind Willie McTell (1928)

Since I have mentioned Blind Willie McTell a couple of times on this blog in regards to other artists I thought I would post one of his records up.

Blind Willie McTell was born William Samuel McTier in Thomson, Georgia on May 5th, 1898. Blind in one eye, McTell had lost his remaining vision by late childhood, but became an adept reader of Braille. He showed an inherent proficiency in music from an early age and learned to play the six-string guitar as soon as he could. His father left the family when McTell was still young, so when his mother died in the 1920s, he left his hometown and became a wandering busker. He began his recording career in 1927 for Victor Records in Atlanta.

In the years before World War II, he traveled and performed widely, recording for a number of labels under a different name for each one, including Blind Willie McTell (Victor and Decca), Blind Sammie (Columbia), Georgia Bill (Okeh), Hot Shot Willie (Victor), Blind Willie (Vocalion), Red Hot Willie Glaze (Bluebird), Barrelhouse Sammie (Atlantic) and Pig & Whistle Red (Regal). His style was singular: a form of country blues, bridging the gap between the raw blues of the early part of the 20th Century and the more refined East Coast “Piedmont” sound. He took on the less common and more unwieldy 12-string guitar because of its volume. The style is well documented on John Lomax’s 1940 recordings of McTell for the Library of Congress, for which McTell earned ten dollars.

Post-war, he recorded for Atlantic Records and Regal Records in 1949, but these recordings met with less commercial success than his previous works. He continued to perform around Atlanta, but his career was cut short by ill health, predominantly diabetes and alcoholism.

In 1956, an Atlanta record store manager, Edward Rhodes, discovered McTell playing in the street for quarters and enticed him into his store with a bottle of corn liquor, where he captured a few final performances on a tape recorder. These were released posthumously on Prestige/Bluesville Records as “Blind Willie McTell’s Last Session”.

McTell died in Milledgeville, Georgia of a stroke in 1959.

“Statesboro Blues” was recorded in 1927 for either the Victor, Columbia, or Okeh label. The Allman Brothers later covered “Statesboro Blues” on their “At The Fillmore East” album. Bob Dylan was also heavily influenced by McTell’s work to the extent of writing a song about him called, of course, “Blind Willie McTell”. Dylan also covered McTell’s ”Broke Down Engine” on his “World Gone Wrong” album as well as refering to him in the lyrics of his 1965 song “Highway 61 Revisted”.